![]() ![]() ![]() ![]() About half the movie takes place at sea, and often on ships at sea, but we only shot for about two days on the ocean. Gary Brozenich: One thing for us that was a big challenge on the movie was all the different types of water we had to make. What were some of the challenges in bringing all of these water effects into the film? ![]() Image used with permission by copyright holderĭigital Trends: Of all the Pirates of the Caribbean movies, this one seems to have relied the most on water effects - from the eternally underwater appearance of Captain Salazar ( Javier Bardem) to that big scene when the ocean is parted around (and under) the characters. No stranger to the franchise, Brozenich previously served as the visual effects supervisor on 2011’s Pirates of the Caribbean: On Stranger Tides.ĭigital Trends spoke to Brozenich about the challenges of whipping water into shape and taking one of Hollywood’s most iconic pirates back in time for Dead Men Tell No Tales. The film’s extensive - and impressive - visual effects were guided by Oscar-nominated visual effects supervisor Gary Brozenich, who earned an Academy Award nomination for his work on 2013’s The Lone Ranger and an Emmy Award nomination for supervising the visual effects on HBO’s Rome. Not only did the fifth installment of the franchise up the ante with a wide variety of unique, water-based digital effects, but Dead Men Tell No Tales also incorporated a series of scenes featuring a teenage Jack Sparrow, made possible by digitally de-aging franchise star Johnny Depp. Pirates of the Caribbean: Dead Men Tell No Tales: Extended LookEach of the films in Disney’s Pirates of the Caribbean franchise have offered up a visual spectacle, whether the action unfolds on land or (more often) on the high seas, and this year’s Pirates of the Caribbean: Dead Men Tell No Tales raised the bar once again with its innovative visual effects. ![]()
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